Klimt painted the heavily pregnant Herma in Hope I in 1903, in which she was depicted naked. In Hope II, she is wearing a long dress or cloak decorated with geometric shapes. She has long brown hair and closed eyes, bowing hear head towards her bare breasts and burgeoning abdomen. An incongruous human skull appears attached to the front of her clothing – perhaps a sign of the dangers of labour, or possibly a memento mori (in Hope I, she is also accompanied by a skull and several deathlike figures). At the foot of the painting, three woman also bow their heads, as if praying or perhaps mourning.